Echoes of Purity in a Jakarta Hotel’s Halls

An art exhibition in a hotel feels very different than one in a proper gallery. Instead of having the artworks all displayed in a gallery’s exhibition room, hotels tend to use the works to decorate and embellish the walls of their lobbies, cafes and coffee shops. There’s a bit more walking involved. 



The concept comes with its own specific risks, as the work can go largely unnoticed amidst the hustle and bustle. 



Happily, that’s not the case with the paintings that are currently on exhibit at the Grandkemang Hotel in South Jakarta. 



More than just mere decoration, the paintings of three local artists, Helena Yip, Getarti “Donny” Nitisastro and Dahlia Sardjono, lighten up the elegant but rather dark halls of the hotel and immediately catch the eye. 



The modern and minimalist chic of the hotel’s interior mix well with the warm and bright colors of the watercolor and acrylic canvasses on the walls. 



This is not the first time these three artists have collaborated together. 



“We have exhibited together five times already,” Dahlia said. “The first time was in 2008 for an exhibition in Cassis restaurant, and we have remained close friends ever since.” 



Dahlia, who is not only a participating artist in the exhibition, but also the organizer, said that when the hotel approached her with the idea of putting together a show, they spent a long time together thinking about what kind of theme it should have. 



“Since the exhibition started during the fasting month, and it is regarded as a holy month, we wanted to have a theme to go along with it,” she said. “We didn’t want to exhibit religious paintings, but rather something that captures the meaning of Ramadan — something pure.



“So most of our paintings bring you to a peaceful mood,” she said. “That’s why my paintings, for example, are mostly landscapes and flowers.” 



Dahlia’s works seem simple, yet intriguing, and indeed radiate a sense of calm and tranquility. 



Donny, who has studied under renowned watercolor artist Agus Budiyanto and paints solely in that medium, has also perfectly absorbed the exhibition’s theme of purity into her oeuvre. 



What comes to mind when looking at the soft watercolor strokes is calmness and stillness. 



The third artist, Helena, used a rather different approach: all of her works feature figures, mostly faces. 



“The way I see it, she has painted the pureness in the people’s eyes,” Dahlia explained. 



Helena’s paintings, mainly acrylic on canvas, with some exuding a resemblance to pop art, stand in stark contrast to the others, a fact that bodes well for the whole of the exhibition, making it richer in variety and texture. 



According to Dahlia, the hotel has only recently decided to hold art exhibitions on its grounds. Her first artistic encounter with the hotel took place earlier this year when Dahlia’s daughter put on her first painting exhibition there. 



“When they asked me if I would be interested in helping organize another exhibition, I was happy to do it,” she said. “They have also made some adjustments, so this time it has been easier for us to plan the layout of the exhibition.” 



Earlier, Dahlia said, the hotel was not equipped to properly hang the paintings on the walls, so they used partitions. 



“But that doesn’t work really well,” she said. “Now they have attached strings to the walls, which is so much nicer to look at, and also guarantees that the paintings won’t be damaged when put up and taken down again.” 



Seeing that the collaboration has worked well, it might well be that this is not the last time guests of the hotel can admire Dahlia’s works — and those of her fellow artists.





‘Pure’

Until Sept. 30

Grandkemang Hotel

Jl. Kemang Raya 2H, Kemang

South Jakarta

Tel. 0875 8142 7942

source:  http://www.thejakartaglobe.com/arts/echoes-of-purity-in-a-jakarta-hotels-halls/397879

A Helping Hand in Living With the Big C

Like a silent killer, cancer can creep into your life and rob you of your well being, future or even a loved one. 



“We’ve experienced it ourselves,” said Adiati Arifin M. Siregar, president of Yayasan Kanker Indonesia (Indonesian Cancer Foundation). 



Her eldest son, Syahrul, passed away when he was only nine years old after a three-year battle with cancer. His untimely passing has left a deep ache in the hearts of his parents, former trade minister Arifin M. Siregar and his wife, Adiati. 



But instead of letting the pain and sadness incapacitate him, Arifin joined his friends and colleagues, Indonesian first vice president Dr. H. Mohammad Hatta, former minister of health Dr. Gerrit A. Siwabessy, former governor of Jakarta Ali Sadikin, and 13 other people to establish YKI. 



“I still remember it well,” Adiati said. “It was established on April 17, 1977, by 17 people.” 



The foundation was initially established to educate Indonesian people about cancer. “We conducted many education and training classes to recognize cancer’s early symptoms,” Adiati said. 



Since that day, YKI has broadened its mission. 



Today, the foundation is an affiliate of the Union for International Cancer Control and operates through 56 branches in Indonesia. 



Coordinating with hospitals, pharmaceutical companies and governmental bodies, the foundation has helped millions to treat and cure cancer. 



“We never give out any money,” said Dr. Melissa S. Luwia, MHA, vice president of the social services division of YKI. 



What the foundation provides, instead, is medical help and support for cancer patients and their families. 



In 1982 the foundation established Sasana Marsudi Husada (Marsudi Husada’s Place) in Lebak Bulus, South Jakarta, where cancer outpatients and their families from outside Jakarta can stay while undergoing treatment for cancer in the capital. 



“Many radiotherapy patients and their families stay for months there,” Adiati said. 



“It’s very low cost. They can get a room and meals for only Rp 30,000 a day.” 



The Sasana Marsudi Husada facility is also available in Bandung, Surabaya, Semarang, Palembang and Banjarmasin. 



YKI also provides cytostatic (chemotherapy) medicine for free to underprivileged cancer patients. 



“They have to meet certain requirements,” Melissa said. 



“They have to obtain a reference letter from an oncologist and a governmental hospital. And then, our team will survey their house to review their living conditions.” 



Since 1990, the foundation has also been approved by Direktorat Jenderal Pengawasan Obat dan Makanan (directorate general of food and drug supervision) to dispense cytostatic medicine at the net price in their headquarters in Jakarta. 



The price of cytostatic medicine dispensed at YKI is 30 percent lower than those dispensed at hospitals and pharmacies in Indonesia. 



“It means a lot for the patients,” Melissa said. “These drugs often cost hundreds of millions of rupiah [tens of thousands of dollars].” 



To be able to buy the medicine at YKI, patients have to bring in the original prescription from their oncologist and their patient registration card. 



In 1996, YKI launched the Hospice Home Care, a training program for caregivers of terminally ill cancer patients. 



“The program is aimed to improve the living condition of terminally ill patients, by alleviating their suffering and boosting their morale,” Melissa said. “It’s a program we provide to anyone for free by request.” 



In 1997, the foundation also launched the Reach to Recovery program, which enlists breast cancer survivors to support and encourage other women facing the same diagnosis. 



There are currently 135 breast cancer survivors involved in the program. 



“When a woman is diagnosed with breast cancer, she’s usually very stressed out,” Melissa said. “The group will help to support these women in undergoing their treatment and medication.” 



In 2000, the foundation launched the Indonesian Ostomy Association (InOA), aimed at helping and supporting the lives of ostomates. 



An ostomate is a person who has undergone an ostomy, a surgical procedure that creates an artificial opening in the body to allow for air or waste material to be passed out of the body. 



The surgery is often required by patients of colorectal and nasopharynx cancers. 



“Ostomates can survive for many years with help and supports from their friends and family members,” Melissa said. “They can live and work perfectly well.” 



While the foundation has excellent programs for cancer patients, as with any disease, prevention is always better than cure. 



“The World Health Organization has stated that one third of cancer cases can actually be prevented,” Melissa said. 



“Another one third can be detected, while the other cases are usually discovered at a later stage that requires intensive medication and treatment.” 



For early detection of cancer cases, YKI operates two clinics in Jakarta and one clinic in Palembang, which provide free consultation with general practitioners, as well as low-cost biopsies and other examination procedures. 



YKI also operates pap smear clinics in 14 cities in Indonesia. 



“Anyone can get cancer,” Adiati said. 



“However, you can reduce your risk factors by not smoking, avoiding exposure to UV rays and eating healthy food.”

source:  http://www.thejakartaglobe.com/lifestyle/a-helping-hand-in-living-with-the-big-c/398126

Jakarta’s Grand Old Theater

Members of Indonesia’s arts and music communities flocked to the opening night of the ninth Schouwburg Festival on Friday, celebrating the 23rd anniversary of the Gedung Kesenian Jakarta, the building hosting the festival performances. 



The Gedung Kesenian Jakarta (Jakarta Arts Building) opened its doors on Sept. 5, 1987. But the art center’s history goes back much further, according to Bambang Subekti, the center’s current director. 



It has been, at various times, a British, Dutch or Indonesian cultural center. It has grown from humble roots into a majestic performance hall, and fallen back into disrepair, serving as a cinema for kung fu flicks, only to be rescued and restored to its former glory. 



It started back in 1811, when the British army, under General Sir Thomas Stamford Raffles, took over the East Indies from the Dutch army. To alleviate the stress of war and enlistment, members of the army founded a theater group. 



Performing comedies and Shakespearean love stories, the group quickly became popular among the British community then living in Batavia. As the crowds grew, the army decided to build a theater for the group. 



A small stone and cement theater with a thatch roof was built in a vacant lot in Pasar Baru, then a resort area for Westerners. The 250-seat theater was inaugurated on Oct. 27, 1814, and proudly named the Military Theater Building of Weltevreden. 



After the Dutch regained control in 1816, the theater became the normal haunt for the Dutch Ut Desint art group. 



In 1819, construction on a new theater began, and in December 1821 the building was opened, christened Schouwburg Weltevreden. Adopting a neo-Greco architectural style then in vogue, the facade featured sturdy Ionic columns as well as a sculpture of a pair of sirens holding a harp at the building’s front peak. Those details are still in evidence today, along with rich interior touches such as Greek sculptures and ornamental motifs. 



The new theater soon became the preferred society hangout in Batavia. Famous Dutch stage actors, such as Victor Ido, Jan Fabricius and Louis Couperus were invited to perform on its stage. In 1822, the internationally-renowned Russian ballerina, Anna Pavlova, danced there. 



The arts continued to thrive at Schouwburg until 1942, when Japanese occupiers turned the theater into an army headquarters during World War II. Many of the building’s sculptures and decorative flourishes were destroyed at this time, including two large Greek sculptures in the front arcade. 



But as the occupation lengthened, the Japanese reopened the theater under the name Siritsu Gekizyoo, inviting Indonesian artists to perform there once again. 



After Indonesia’s independence, the building was used to house meetings of the first parliament, Komite Nasional Indonesia Pusat (National Committee of Central Indonesia), as well as present theatrical and musical performances. Renowned Indonesian maestros graced its stage, including composers Cornel Simanjuntak and Kusbini. 



Unfortunately, financial difficulties meant that the center was due for another downswing. Between the 1950s and the 1970s, the theater was used as a classroom for students of the University of Indonesia and Akademi Teater Nasional Indonesia (Indonesian National Theater Academy), before being converted into a cinema. 



“Oh, it was really messy and disorganized then,” Bambang said. “The main hall was used as a cinema screening kung fu movies, while the foyers were used for playing billiards.” 



According to Bambang, much of the interior was altered. Some of the stone walls were covered with wooden panels and the theater’s sculpted overhead interiors were hidden behind modern ceilings. New rooms were also haphazardly added onto the building. 



Fortunately, the building was saved from its fall from grace in 1984, when Jakarta governor R Soeprapto ordered the theater restored to its original function. 



A major renovation budgeted at Rp 3 billion ($333,000) was begun. Dutch architects were hired to complete the restoration and to improve the theater’s acoustics. Three years later, on Sept. 5, 1987, the governor inaugurated the new Gedung Kesenian Jakarta to the delight of the city’s art-loving communities. 



Twenty-three years have passed since then, and GKJ has presented performances by noted Indonesian and international artists on its stage. But can the theater survive in the near future, especially with modern halls popping up at almost every hotel and mall in the city? 



“We don’t think of them as our competitors,” said Putu Dewiyanti Delim, a public relations officer for the theater. “We have quite different visions. GKJ is solely dedicated for arts performances. It will never house meetings or conventions or parties.” 



In keeping with its goal of offering world-class performances, the GKJ holds its patrons to some fairly strict rules. Guests are expected to come at least fifteen minutes before the show starts so as not to disrupt the performance, children under 5 years of age are not allowed in the theater, and food and drinks are expressly forbidden in the main hall. 



“These rules are necessary to maintain the quality of our shows, as well as the cleanliness of the facilities,” Putu said. 



An exception was made, however, in May, when President Susilo Bambang Yudhoyono came to watch an East Javanese comedy. 



“He asked for popcorn,” Putu said with a laugh. 



Although the management tried to reason with the head of state, in the end they gave in to his request. 



Popcorn aside, director Bambang said the theater would be continuing its tradition as a beautiful old performance space well into the future. 



“My vision is to make GKJ the pride of Indonesian, as well as international artists,” he said. “It’s a grand heritage building with excellent acoustics. Every artist should be very proud to perform in GKJ.” 



He added that the theater was planning on upgrading its infrastructure and Web sit in the coming months. 



“The department of tourism and culture will install a new sound system and lighting equipment in December.” 



The theater is also considering a membership program, designed to keep art lovers abreast of current offerings and give them a break on ticket prices. 



“With the program, members will get the latest updates of our programs by e-mail and telephone,” he said. “They can also get discounts and special offers for our shows.” 



And lastly, a major facelift for the old theater is slated to take place in mid-2011. 



“I’m sure the vision is not difficult to achieve when we all collaborate and work hard to achieve it,” Bambang said.





Schouwburg Festival IX




The Schouwburg Festival presents classic and traditional art performances to commemorate the inauguration of Gedung Kesenian Jakarta on Sept. 5, 1987. The festival features productions by Indonesian maestros and runs through Sept. 29.



Sept. 25 and 26, 8 p.m.

‘Kereta Kencana’ (‘The Chariot’)

By Theater Mandiri

The drama, written by WS Rendra, is an adaptation of ‘The Chairs’ by Romanian playwright Eugene Ionesco. The story features an elderly couple who have been living for two centuries and are waiting for a chariot to take them to the heavens. 



Sept. 29, 8 p.m.

‘Kidung Kemakmuran’ (‘Songs of Welfare’)

By Swargaloka Foundation

This musical drama is a mix of wayang orang (human puppet) and wayang kulit (shadow puppet). The story tells the legend of Dewi Sri (Goddess Sri), who inspires the people to emerge from misery toward an era of prosperity.

 

Gedung Kesenian Jakarta

Jl. Gedung Kesenian Jakarta No. 1

Central Jakarta

Tel. 021 380 8283

Long-Term Contraception Lagging as Sexually Active Singles Barred Access

Tania Widyaningsih is only 28 years old, but she already has three children and is expecting her fourth in about two months. 



She says she is aware of the contraception options available to her, including the permanent ones, but prefers the more traditional techniques of withdrawal, counting the days in her menstrual cycle, or using a condom. 



She adds she once got an intrauterine contraceptive device (IUD), but stopped using it shortly after because she feared it would disrupt her menstrual cycle. 



“I know a lot about contraception, but I miscarried twice before I had my first child, so having a lot of children is actually bliss for me,” Tania tells the Jakarta Globe. 



Tania, who married at 20, says she frequently worries that she may not be able to provide her children with the proper care and attention, especially because she is a working mother. 



“I’m not too worried for now because my children are still young, and our parents help us a lot, but I’m a little worried about their future,” she says. 



Tania is not the only one, by far. Many Indonesians with a relatively high level of education don’t plan their families carefully, even though they know about contraception. 



More than 90 percent of Indonesians say they fully understand the importance and benefits of contraception, yet only 64 percent use it, according to the National Family Planning Coordinating Board (BKKBN). 



“That means almost 30 percent of those with knowledge about contraception don’t practice what they know, for various reasons,” says Sugiri Syarief, the BKKBN head. 



Biran Affandi, country representative for the Asia-Pacific Council on Contraception (APCOC), says contraception is crucial not just for preventing unwanted pregnancies, but also protecting women from a gamut of menstruation-related ailments and dicomforts. 



“Contraception, such as the pill, can shorten long periods and ease menstrual cramps,” he said at a press conference to mark World Contraception Day, which fell on Sept. 26. 



“It can also reduce the risk of ovarian cancer and pelvic inflammation.” 



Contraceptive pills contain hormones that prevent ovulation, thicken the cervical mucus — thus making it difficult for sperm to get through — and thin the lining of the womb, making it less receptive to eggs. 



These pills are highly effective in preventing pregnancy, but must be taken daily at around the same time each day and are known for side effects that include weight gain and pimples — although this varies from person to person. 



Biran, a professor of obstetrics and gynecology at the University of Indonesia, says the number of people using contraception is not as high as it should be because many sexually active couples are not married. 



By law, contraception may only be prescribed for married couples, says Setya Edi, the director of service and guarantee for the BKKBN’s contraception unit. 



“For teens, we only provide information through peer trainers to prevent them from engaging in premarital sex,” he says. 



Despite this, an estimated 63 percent of Indonesia’s 65 million teenagers are sexually active, according to a 2008 BKKBN study, with 21 percent of the girls having experienced an abortion. 



The study also showed that 24 percent of teens who were sexually active understood about contraception but did not have access to it. 



Biran says he has treated many pregnant teenagers who ran into medical complications because their bodies could not take the strain of being pregnant. 



“It’d be ideal if we could stop them having sex, but if they’re doing it anyway, at least they should be safe,” he says. 



Setya agrees that birth control and family planning programs could be the best solution for the country’s social and welfare problems. 



“If the government was committed to implementing family planning programs, at least five of eight targets under the [UN-mandated] Millennium Development Goals would be achieved,” he says. 



Firman Lubis, the chairman of Indonesia Health Coalition (KUIS), says the indicator of a nation’s health is determined by its maternal and infant mortality rates. 



“Bringing down either parameter is highly dependent on the success of family planning programs,” he says.



“Contraception shouldn’t be a burden, it should be a necessity.”

source:  http://www.thejakartaglobe.com/health/long-term-contraception-lagging-as-sexually-active-singles-barred-access/398537

Tweeting Politicians

Indonesia is said to have the largest number of Twitter users in Asia. Among the millions of members of the microblogging site are popular celebrities and ministers, whose updates have fired up a public debate or two. 



Since the medium is relatively new, there are still many gray areas when it comes to politicians posting updates on the site. 



Should they follow certain guidelines with their tweets?



When are their updates mere personal opinions and not the opinions of the institution they represent? 



And if they have a Twitter account, should they follow a certain protocol where the official account of their boss, President Susilo Bambang Yudhoyono, is concerned? (The Web site http://doesfollow.com shows that some officials do not necessarily think they should follow the president.) 



These days, the most controversial official on Twitter may arguably be the information and communication minister, Tifatul Sembiring. The minister, who is known for his zeal in fighting pornography, opened his Twitter account, @tifsembiring, the day after he took office and has since amassed around 89,000 followers. 



“I signed him up on Twitter,” said Ahmad Mabruri, a staff member at the ministry. Ahmad said the decision to do so was influenced by US President Barack Obama, whose successful online campaign has inspired a number of Indonesian officials. 



“We trained Tifatul for the first two weeks before he could use the service himself,” Ahmad said. 



During the training period, Ahmad’s team was in charge of updating Tifatul’s account while the minister was tutored on basic functions, such as how to reply to tweets, retweet messages and the use of hashtags to categorize tweets. 



Eva Kusuma Sundari, a member of the House of Representatives from the Indonesian Democratic Party of Struggle (PDI-P), learned about Twitter from her 15-year-old daughter, Maria. 



“She signed me up on this thing. At first, it was meant as a personal communication tool with her,” Eva said. “I now use Twitter to directly communicate with people who have the same political interests as I do,” she said of her account, @evndari. 



One cause Eva has tweeted about is the planned construction of a new House building. The project has been roundly criticized by the public because of its cost and reports that the new building would include such facilities as a swimming pool and a spa. 



“This project has been reduced [by the House secretariat office] into a project for a luxurious building.” Eva tweeted. “It’s a decaying process from within the House. Some people in the secretariat office are greedy and they can’t help it.” 



The tweets, posted earlier this month, were retweeted by those who share her sentiment. “I think it’s a good tool for two-way communication,” Eva said of Twitter. 



She also said that Twitter was a space where public officials could receive criticism. “If [members of the] House of Representatives are acting up, I receive a lot of harsh comments,” she said. “But it’s a fact that I have to accept. I have to keep calm.” 



Andi Arief, presidential adviser for social welfare, knows all too well what it’s like being on the receiving end of harsh comments. He was recently involved in a lengthy exchange on Twitter with one of his followers over clothes. 



The Indonesian Forum for Budget Transparency (Fitra), a nongovernmental organization, was recently quoted by news portals Detik.com and Kompas.com as claiming that Rp 839 million ($95,000)was allocated for the president’s yearly clothing allowance. 



“There is no such budget [for clothes]. It’s the media who got it wrong,” Andi tweeted via his @andiariefnew account. 



But when pressed if the President’s Office would ask the two media outlets to correct the supposedly inaccurate reports, Andi tweeted, “We believe in press freedom. Media can write whatever they want.” 



Like Tifatul, Bayu Krisnamurthi, deputy agriculture minister, said that Obama’s Twitter account inspired him to create an account, @bayukr. “I wasn’t interested until I discussed it with some of my friends who were also on Twitter,” Bayu said. 



A member since April, Bayu said he liked to be spontaneous with his updates. He uses Twitter to pass the time, especially when he is caught in traffic jams en route to a function. 



“There are two things about Twitter,” Bayu said. “First, it’s very social, it’s not personal at all. Second, it’s a tool to spread thoughts and opinions.” 



While Bayu may think that this is the case, Tifatul’s team does not necessarily agree with him. For them, Twitter is a very personal medium. 



Ahmad said they answered questions and feedback in relation to Tifatul’s role as a minister. But for official ministry updates, they use a different account, @kemkominfo. 



“The minister is human. He can un-follow or block someone if he wishes to,” Ahmad said, adding that Tifatul’s followers are by now very familiar with his fondness for short and often rhyming poetry. “It’s a personal account. He can be funny or poetic,” Ahmad said. 



While Ahmad claims that it is Tifatul himself who posts his Twitter updates, he acknowledges that he has access to Tifatul’s account. “I also watch over his account. Sometimes, we discuss what a response should be, but the minister does the tweets,” Ahmad said. 



The newest kid on the Twitter block is the National Police, which unveiled an account, @divhumaspolri, on Thursday. 



As part of their effort to win over the public, particularly after a series of scandals, they are using Twitter to post updates about some of their achievements, including solving major cases. 



“Theoretically, we want to be available 24 hours a day,” said Sr. Comr. Marwoto Soeto, chief of the National Police’s public relations division. 



However, Marwoto said the updates may be delayed if officers were caught up with other duties. 



At the moment, the account is being updated by officers in the information and communication managing bureau, and has only about 3,000 followers. 



In comparison, the account of the Jakarta Police’s Traffic Media Center, @TMCPoldaMetro, which opened earlier this year, has more than 100,000 followers who receive live traffic updates. 



Veteran blogger Budi Putra says that government officials should use Twitter as an official medium to share updates. 



“It should be about what they are doing, what they are working on, their meetings or short comments on government policies,” Budi said. 



Budi is of the opinion, however, that officials should not use Twitter in a personal capacity unless they include a disclaimer on their profile pages that the opinions they express do not necessarily represent those of the government. 



Tifatul suffered a public backlash when he tweeted that there was a link between natural disasters and moral degeneration. 



However, the line between what is official and personal is still a gray area. “This is why users, including ministers and House members, should be wise when posting tweets,” Budi said. 



“If the statement is not official or it’s not in their area of expertise, then it’s best for them not to tweet about it.”



Budi says that while Twitter is a good medium because it is accessible, it may not offer the same benefits to a government official. “It is an equalizing platform,” Budi said. 



“Everybody can say whatever they want, as the users come from various backgrounds. However, it may not be as easy for state officials to use the platform because they have to be wise, especially in responding to criticism.”

source:  http://www.thejakartaglobe.com/lifeandtimes/tweeting-politicians/398539

Indonesian Government Should Turn Attention to Poverty, World Bank Says

Jakarta. Having successfully negotiated the global financial crisis and subsequent recession, the Indonesian government should now set its sights on reducing poverty levels in the country, the World Bank said on Tuesday. 



“Indonesia, with its solid domestic consumption and strong capital inflows, for example, has secured the short-term requirements for it to achieve its targeted growth in the next several years,” Enrique Blanco Armas, the World Bank’s senior economist for Indonesia, said during a discussion. 



“So now would be a good time to focus on its more longer-term requirements, such as reducing the poverty rate.” 



Wijayanto, deputy rector of Paramadina University in Jakarta, said Indonesia was capable of achieving the president’s goal of 7 percent annual growth by 2014, but that the 8 percent barrier could only be broken if poverty rates were lower. 



“Indonesia would have to reduce its poverty rate to below 10 percent, maybe around 5 percent, if it wished to break the 8 percent growth rate,” said Wijayanto, who also spoke at the discussion. 



A July report from the Central Statistics Agency (BPS) pegged Indonesia’s poverty rate at 13.3 percent. 



“The most effective way to reduce poverty rates is to provide poor people jobs that will support the development of the nation — infrastructure development, for example,” Wijayanto said. 



In 2009, Indonesia allocated about 3 percent of its GDP to infrastructure development. Wijayanto said that figure should ideally be 10 percent, which he said would be high enough to fund opportunities for the poor to participate. 



Shubham Chaudhuri, the World Bank’s lead economist for Indonesia, said that beyond providing jobs for the poor, improved infrastructure would also enhance connectivity, which would improve efficiency in urban areas and benefit the economy. 



Earlier this month, President Susilo Bambang Yudhoyono said that reducing the poverty rate was one his administration’s four key economic policies. The others were boosting economic growth, creating jobs and protecting the environment. 



The House of Representatives is also working on a poverty eradication bill, which if passed would bring all of the government’s anti-poverty programs under one roof and also replace cash-aid schemes with employment-training programs. 



Despite enduring high poverty rates, Indonesia is still expecting ample growth. Analysts say growth could exceed 6 percent this year, up from 4.55 percent last year.

Source:  http://www.thejakartaglobe.com/business/indonesian-government-should-turn-attention-to-poverty-world-bank-says/398577

UK Honors Indonesian Islamic Scholar for Interfaith Efforts

akarta. The United Kingdom on Tuesday named leading Indonesian Islamic scholar Azyumardi Azra as an Honorary Commander of the Order of the British Empire for advancing interfaith understanding throughout the globe. 



“Every year Her Majesty the Queen graciously grants honorary awards to people from all walks of life around the world who have made a significant difference in their community,” British Ambassador Martin Hatfull said. 



“We can see the energy for his continued travels and seminars about interfaith relationships in Indonesia, Europe and every part of the world.” 



Hatfull presented Azyumardi the award at the ambassador’s residence in Jakarta. 



Azyumardi, 55, a professor of history at the Syarif Hidayatullah State Islamic University in Jakarta, was the first Indonesian to receive the CBE, one of the highest honors granted by Britain. 



As a leading Islamic scholar and a former co-chair of the UK-Indonesia Islamic Advisory Group, Azyumardi had demonstrated his dedication to promoting religious harmony over many years, Hatfull said. 



“The better that we can understand each other’s culture, each other’s religion and community, the more likely we can work and live together peacefully,” he said. 



The group was established in 2006 after then British Prime Minister Tony Blair’s visit to Indonesia. 



Azyumardi said he felt very honored for receiving the award and said his responsibility would grow as a consequence. 



“It is indeed a great honor for me and definitely this award is not only for me but also for Indonesia,” Azyumardi said. 



“My work does not become lighter after this as there are a lot of things need to be done to strengthen interfaith relationships in our country and everywhere in the world.” 



He said people should be able to accelerate interfaith cooperation in a world that was becoming ever more connected. 



“We still have hard tasks in promoting interfaith dialogues and democracy as it has not touched all levels of community, especially at the grassroots level,” he said. 



The country has an Interreligious Community Forum (FKUB) gathering leaders of the various faiths, but Azyumardi said it needed refinement as it now only tended to work reactively. 



He said Indonesia needed a system that would bring all people in the country to understand interfaith dialogue. 



“We need instruction for trainers so that they can educate the grassroots on the essence of interfaith relationships,” he said. 



He also stressed that development of the economy should also proceed at the same time as education. 



“Interreligious clashes need to be resolved, but our economy also needs improvement,” he said. 



He said religious disputes in most cases were driven by political issues but exacerbated by economic problems.

source:  http://www.thejakartaglobe.com/home/uk-honors-indonesian-islamic-scholar-for-interfaith-efforts/398636

ADB Lifts Forecasts for Asia, Indonesia

The Asian Development Bank raised its forecast for the region’s economic growth this year, crediting a rapid recovery in exports even as it warned the risk of another recession in advanced countries had not completely receded. 



The Manila-based development bank said on Tuesday it now expected developing Asia to grow 8.2 percent this year compared with a projection of 7.5 percent growth issued in April. The forecast, which did not include Japan, covered 44 developing and newly industrialized nations in Asia. 



It forecasts Indonesia’s economy will expand 6.1 percent this year, faster than the previous projection of 5.5 percent. 



“Overall, developing Asia’s recovery seems to have taken firm hold,” the ADB said in the report released in Hong Kong. 



Increased consumer and business spending as a result of government stimulus also played its part in the recovery from the financial crisis, it added. 



In predictions for individual economies, the ADB maintained its forecast of 9.6 percent growth for China, the world’s second-biggest economy. 



South Korea and Taiwan were raised to 6 percent and 7.7 percent respectively. India’s anticipated growth was edged up from 8.2 percent to 8.5 percent, although the bank warned about high inflation due to scant monsoon rains in 2009 that suppressed harvests. 



However, the ADB said governments should sustain the expansion by refraining from tightening fiscal and monetary policies “too quickly.” 



“Shifting too quickly to fiscal and monetary tightening could heighten the risk of another contraction,” it said in the report. 



India this month increased its benchmark interest rate for a fifth time this year. 



Thailand in August raised its key rate and signaled further increases after the economy overcame political unrest to grow faster than estimated last quarter. 



Taiwan, Malaysia and South Korea are also among those that have boosted borrowing costs. 



Indonesia’s benchmark rate has been at a historic low of 6.5 percent since August 2009. 



Developing Asian countries “are starting to raise interest rates, that means interest rate differentials between emerging Asia and industrialized countries will widen, that would attract more capital inflow,” said Jong-Wha Lee, the ADB’s chief economist. 



The capital inflow presented “potential risk to the global economy” and “another threat to financial stability” should there be fund reversal, he said. 



Meanwhile, inflation in Asia would generally be within central banks’ “comfort zones” and might average 4.1 percent in 2010 and 3.9 percent in 2011, the ADB said. 



The bank also warned about possible weakness in the United States, Europe and Japan, highlighting sluggishness in the American housing market and the risk of sovereign debt defaults in Europe. 



“The global recovery remains shaky, and downside risks lurk. The possibility of a double-dip recession in the major industrial economies has not receded completely,” the report said. 



The bank called for more flexibility in the exchange rates of emerging currencies, including China’s yuan. 



“I do think the emerging currencies in Asia need to be more flexible and probably need to appreciate against the G-3 currencies,” ADB president Haruhiko Kuroda said in reference to the US dollar, euro and yen. 



Kuroda made the comment when asked whether the yuan should appreciate, amid claims from the United States that China was undervaluing its currency to boost exports. 



“If you look at the US, Europe and Japan, their economies are recovering but their growth prospects in the medium to long-term are much lower than emerging Asia,” he said. 



“That means that some exchange rate realignment would be necessary and already realignment is occurring in many parts of Asia.” 



China pledged in June to loosen its grip on the yuan, which has been effectively pegged at about 6.8 to the dollar since mid-2008. 



The United States maintains that Beijing is keeping its currency artificially low against the dollar to make its exports more competitive, and is showing increasing signs of frustration over the long-running row. 



The US House of Representatives will this week vote on draft legislation that will open the way for retaliation against China over the yuan issue. 

source:  http://www.thejakartaglobe.com/business/adb-lifts-forecasts-for-asia-indonesia/398569

Jobless intellectuals to reach 1.14 million

The Jakarta Post, Jakarta | Thu, 09/23/2010 7:17 PM | Headlines

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Looking for jobs: In this April 10, 2010 file photo job seekers fill digital application forms at a career expo held by JobsDB.com, the biggest online job recruitment service, in Surabaya. Antara/Eric Ireng Looking for jobs: In this April 10, 2010 file photo job seekers fill digital application forms at a career expo held by JobsDB.com, the biggest online job recruitment service, in Surabaya. – Antara/Eric Ireng

The number of university and academy graduates who will not be absorbed by the market will reach 1,142,751 people this year, up by 15 percent from last year.



Coordinating researcher at the Manpower Ministry’s Information, Development and Research Center, Prof. Zantermans Rajagukguk, said on Thursday the number of jobless intellectuals in the country would continue increasing as they tended to seek not create jobs.



“Their goal after completing studies is to find jobs, rather than to create jobs,” Zantermans said on the sidelines of a seminar held at Satya Wacana Christian University in Salatiga, Central Java, on Thursday.



He said the growing population of jobless intellectuals was a result of the formal sector’s inability to absorb all the fresh graduates and the failure of higher education institutions to connect education and the market demand.



”Discrepancy between education and jobs up for grabs has given a rise to the number of jobless intellectuals and university graduates who take whatever jobs offered regardless of the low salary,” he said as quoted by kompas.com.



He suggested that the government develop skill-based higher education system and mutual cooperation between the industry sector and universities.



“Through the cooperation higher education institutions can learn development of technology or changes to production trends so that they can produce graduates who meet the market demand,” he said.

‘Eat Pray Love’ To Steal Show

It is all about “Eat Pray Love.” Never mind that the movie, starring Julia Roberts, has failed to impress critics after premiering in the United States last month. This hasn’t stopped it from stealing the spotlight in the run-up to the 2010 Balinale International Film Festival. 



The annual showcase will take place in Bali from Oct. 12-17. “Eat Pray Love,” which was partly shot on the resort island, will be featured on the opening day of the festival, but the nationwide premiere will come a week earlier in Jakarta on Oct. 4. 



Based on US author Elizabeth Gilbert’s memoir about her travels to Italy, India and Indonesia on a journey of self-discovery, the film has been deemed by some as “too preachy,” “superficial” and showing “a shallow view of Eastern spirituality.” But none of the festival’s organizers attending the Balinale press conference on Thursday afternoon in Jakarta seemed any less enthusiastic despite the mixed reviews. 



And why should they? Even though some critics didn’t particularly like the film, the undeniable fact is that “Eat Pray Love” brought a lot of worldwide attention to Bali. 



The movie, produced by Dede Gardner and Brad Pitt of Plan B Entertainment, was the first major studio film ever shot in this country, and it allegedly contributed an estimated $12.5 million to the local economy. 



This is expected not only to have a positive effect in terms of tourist numbers, but the festival’s organizers were also optimistic and hopeful that Bali and Indonesia in general could become an interesting and lucrative location for international movie productions in the future. 



Festival founders Christine Hakim, a renowned Indonesian actress, and Deborah Gabinetti, were both on hand at the press conference. They agree that “Eat Pray Love” is a major step in the right direction in putting Bali on the filmmaking map by showing that successful productions can be shot here. 



“There have been concerns about bureaucracy and security, especially after the Bali bombings, but in the end, all obstacles were overcome,” said Christine, who also had a small role in the movie. 



“Of course we hope that through this film and also the Balinale festival, we can promote Indonesia, and it is our wish that Bali can one day become the film center of Asia,” she said. 



“Indonesia, with its 17,000 islands and more than 300 ethnic groups has great potential. Geographically speaking alone, there is nothing Indonesia can’t offer — we have tropical rainforests, we have mountains, we have the ocean.” 



Christine said about 300 locals worked on the production. “The art director of the film actually told me that his favorite crew was the Indonesian one.” 



Speaking about her own experience in the film, Christine said she initially wasn’t interested in auditioning for a role. 



“At that time, I was focusing on my father who was in the hospital and eventually passed away,” she said. “So I didn’t really care about the fact that ‘Eat Pray Love’ was going to be filmed in Bali. Julia Roberts, Brad Pitt, even those names couldn’t get my attention.” 



In the end, it was Gabinetti who persuaded her to try out for a part in the film, and this is how she eventually ended up playing Wayan Nuriasih, a traditional Balinese healer. Once she got the part, she said she completely immersed herself in the project. 



“I just wanted to be professional about it, so during the time we were filming, I didn’t answer any phone calls or text messages,” she said. “And I didn’t even think about the fact that I was going to meet and work with Julia Roberts.” 



She had bigger things to worry about. “This was a role I had to speak English for, and ideally, I had to have the same pronunciation as a Balinese speaking English,” she said. 



However, Christine remembers her time on location as a pleasant experience. “On set, there was a lot of joking and laughter,” she said. “At times, it was even hard for the actors to concentrate on their work.” 



When the 53-year-old actress attended the US premiere of the film in August and walked down the red carpet alongside international celebrities — an experience that could be overwhelming to some — Christine said her main goal was to be a worthy representative of her country. 



“I wanted to take the opportunity to promote Indonesia abroad,” she said. “But at the same time I knew … that the international audience is probably more familiar with Bali [than Indonesia in general]. So I wore a traditional costume from Bali — after all this is where the film was shot.” 



She added that the Ministry of Culture and Tourism also did its part to highlight Indonesian culture during the premiere by organizing a demonstration on how to make batik and providing Indonesian cuisine. 



Despite all eyes being on “Eat Pray Love,” there are many other highlights at the Balinale not to be overlooked. 



“This year, I think, we have the best program to date,” Gabinetti said. 



“The short films that we reviewed were fantastic. We had a record number of submissions, and they were such creative and inspiring stories, interesting and unique, and so we are showing a series of short films — and I’m pleased to say that most of them are Indonesian.” 



Some other notable films on the ticket for the Balinale are “A Good Day to Die,” the award-winning documentary about the Native American resistance movement, the Chinese drama “Ocean Heaven” starring Jet Li, and the musical comedy “Bran Nue Dae” from Australia. 



Also three Indonesian feature films are on the schedule: “The Dreamer,” “7 Hearts, 7 Loves, 7 Women” and “I Know What You Did on Facebook.” 



“We try not only to entertain but also show films that inspire young Indonesians to tell their own stories,” Gabinetti said. 



For this reason, there will also be workshops for aspiring filmmakers as well as discussions with visiting directors and other experts from the industry. All these events are of equal importance to the festival’s organizers — even though nobody would blame them for keeping the spotlight on the big draw. 



“ ‘Eat Pray Love’ is a commercial success, and a film festival should not be based on commercial films,” Gabinetti said. 



“But this was an extremely important film for us, as they not only used the location but they used local talent and a local crew, so of course, we are going to feature that film.”





Tuesday, Oct. 12 

7:30 p.m. “Eat Pray Love” (US) 

8 p.m. “Eat Pray Love” (US) 



Wednesday, Oct. 13 

1 p.m. “I Know What You Did on Facebook” (Indonesia) 

2:30 p.m. “A Good Day to Die” (US) 

4:30 p.m. “As the Rain Was Falling” (France) and “Home by Christmas” (NZ) 

7 p.m. “Jesusito De Mi Vida” (Spain) and “Babies” (France) 

9 p.m. “Animal Kingdom” (Australia) 



Thursday, Oct. 14 

1 p.m. “Debt” (Indonesia), “Little Black Dress” (US), “Debris” (S. Korea) and “3 Onions” (Indonesia) 

2:30 p.m. “Me, Them & Lara” (Italy) 

4:30 p.m. “Initiation at Wangi-Wangi Island” (Indonesia) and “Made in India” (India/US) 

7 p.m. “Ocean Heaven” (China) 

9 p.m. “Stone” (US) 



Friday, Oct. 15 

1 p.m. “Transparente” (Belgium), Purnama di Pesisir (Indonesia), El Cortejo (Spain) and Anak Anak Lumpur (Indonesia) 

2:30 p.m. “7 Hearts, 7 Loves, 7 Women” (Indonesia) 

4:30 p.m. “The Big Happiness” (NZ) and “Exit Through the Gift Shop” (US/UK) 

7 p.m. “Poetry” (S. Korea) 

9 p.m. “The Social Network” (US) 



Saturday, Oct. 16 

10 a.m. “Manual Practico Del Amigo Imaginario” (Spain) and “Bran Nue Dae” (Australia) 



Sunday, Oct. 17 

10 a.m. “Birth” (S. Korea) and “The Dreamer” (Indonesia)